Review of Japanese Culture and Society 26号が刊行されました
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CONTENTS |
| Introduction | |
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Bert Winther-Tamaki and Kenichi Yoshida |
Commensurable Distinctions: Intercultural Negotiations of Modern and Contemporary Japanese Visual Culture
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| Intersectionality | |
| Bert Winther-Tamaki | Six Episodes of Convergence Between Indian, Japanese, and Mexican Art from the Late Nineteenth Century to the Present |
| Yasuko Tsuchikane | Picasso as Other―Koyama Fujio and the Polemics of Postwar Japanese Ceramics |
| Kojima Kaoru | Pictures of Beautiful Women: A Modern Japanese Genre and Its Counterparts in Europe, China, Korea, and Vietnam |
| Realpolitik | |
| Inaga Shigemi | A “Pirates’ View” of Art History |
| Takashina Erika |
From The Sea Beyond: Hōsui, Seiki, Tenshin and the West Sea of Hybridization: In Dispute over Urashima (translated by Christina M. Spiker) |
| Yamamoto Sae |
From The Representation of “Japan” in Wartime World’s Fairs Modernists and “Japaneseness” (translated by Aoki Fujio, Jessica Jordan, and Paul W. Ricketts) |
| Adrian Favell |
Resources, Scale and Recognition in Japanese Contemporary Art: “Tokyo Pop” and the Struggle for a Page in Art History |
| Driftworks | |
| Ozawa Tsuyoshi | Four Projects |
| Kinoshita Naoyuki | From The Sideshow Called Fine Art (translated by Michael P. Cronin) |
| Chinghsin Wu | Reality Within and Without: Surrealism in Japan and China in the Early 1930s |
| Karen M. Fraser |
Fukuhara Shinzō and the “Japanese” Pictorial Aesthetic |
| Abstraction | |
| Kitazawa Noriaki |
From Temple of the Eye: Notes on the Reception of “Fine Art” (translated by Kenneth Masaki Shima) |
| Kinoshita Nagahiro |
From Van Gogh as Intellectual History: The Reception of Reproductions and Imagination (translated by Kevin Singleton) |
| Yuko Kikuchi | Minor Transnational Inter-Subjectivity in the People’s Art of Kitagawa Tamiji |
| Hayashi Michio |
The Imagined Map of the Nation: Postwar Japan from 1945 to 1970 |
| Sedimentation | |
| Okazaki Kenjirō |
A Place to Bury Names, or Resurrection (Circulation and Continuity of Energy) as a Dissolution of Identity: Isamu Noguchi’s Memorial to the Dead of Hiroshima and Shirai Sei’ichi’s Temple Atomic Catastrophes |
| Kenichi Yoshida | Deactivating the Future: Sawaragi Noi’s Polemical Recoil from Contemporary Art |
| Satō Dōshin |
From Art and Identity: For Whom, For What? The “Present” Upon the “Contemporary” (translated by Sarah Allen) |
| Art in Focus | |
| Reiko Tomii, Section Editor | in memoriam On Kawara |
| On the Contributors |
※Review of Japanese Culture and Society は日本人と日本文化をテーマとする英文誌で、年に一度学校法人城西大学国際学術文化振興センター(JICPAS)が制作しています。 バックナンバー、購入方法などの詳細については Web サイトをご覧ください。
