On June 7, 2014, the International Symposium Commemorating Winners of the Cikada Prize was held at the 1st building auditorium of Josai’s Tokyo Kioicho Campus.
On December 9, 2013, Chancellor Noriko Mizuta was given the Cikada Prize―an international poetry award administered by the Embassy of Sweden in Japan that honors exceptional poets who are able to express the inviolability of life in East Asia. To celebrate this achievement, Josai organized a symposium centered on the theme of “Giving World to the Inviolability of Life,” which was divided into three sessions and assembled the Ambassador of the Kingdom of Sweden, recipient of a PhD in literature from Uppsala and Kyoto Universities as well as an exceptional poet in his own right, His Excellency Lars Vargö; past recipients of the Cikada Prize; and famous poets from around East Asia as participants.
Panelists who participated in this year’s symposium were as follows:
Lars Vargö | Swedish Ambassador to Japan, haiku poet |
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Noriko Mizuta | 6th winner of the Cikada Prize |
Akito Arima | Haiku poet |
Shin Kyong Rim | 4th winner of the Cikada Prize |
Moon Chung-hee | 5th winner of the Cikada Prize |
Bei Dao | Poet |
Kazuko Shiraishi | Poet |
Toriko Takarabe | Poet |
Mutsuo Takahashi | Poet |
Gozo Yoshimasu | Poet |
Aki Sagawa | Poet |
Tian Yuan | Poet |
Han Sung Rea | Poet, Translator (including the work of 3rd Cikada Prize winner Ko Un) |
The symposium opened with an overview of the Cikada Prize from Ambassador His Excellency Vargö followed by a talk from Chancellor Mizuta on the poetry collection Aniara by Harry Martinson―Swedish poet and winner of the Nobel Prize for Literature―which formed the inspiration for the Cikada Prize. The symposium then moved into panel discussion divided by the following three topics:
Panel 1 | Cikada as the Encounter between Poets of Northern Europe and East Asia |
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Panel 2 | Experiences in Foreign Countries and Poetry and Expression |
Panel 3 | The Future of Poetry in East Asia |
Panel 1 addressed theories of poetry, translation, and poets based in East Asia, extending it to the rest of the world. Panel 2, taking foreign countries as its theme, related the direct experiences of poets abroad to discuss the extent to which these experiences are heightened by poetic expression. In Panel 3, each panelist offered their words on the future of poetry in East Asia followed by a poetry reading conducted in each poet’s native tongue, yielding a deep emotional reaction from the audience.
In closing, musician Shigemi Yoshioka gave a vocal performance of poetry to her own musical accompaniment. Ms. Yoshioka performs piano to vocals comprised of poetry from tanka and Japanese women poets such as Misuzu Kaneko, Akiko Yosano, and Noriko Ibaragi in a way that deeply moves the hearts of anyone who listens.
To celebrate the Cikada Prize, Ms. Yoshioka performed a solo rendition of a new poem of Chancellor Mizuta’s entitled, “The Unwritten Love Letter,” while the Josai Kioicho Mixed Chorus performed a four-part harmony specially arranged by Yasuhide Ito to the enthusiastic applause of the audience.
Overview of the Cikada Prize from Ambassador Vargö |
Chancellor Mizuta discusses Aniara |
The scene during Panel 1 |
Panel 1 members (from left): |
The scene during Panel 2 |
Panel 2 members (from left): |
The scene during Panel 3 |
Panel 3 members (from left): |
Concert from Ms. Shigemi Yoshioka |
Special performance by Josai Kioicho Mixed Chorus |
Display of works by Cikada Prize recipients and panelists