JICPASでは、日本人と日本文化の国際的分析の場として英文誌「Review of Japanese Culture and Society」を発行しています。本誌は、日本の文化や社会についての国際認識を高めることを意図して刊行され、相互理解の促進と文化論の方法の見直しをめざしています。
- Introduction: The Theory Complex
- Aaron Gerow
- Does Film Theory Exist in Japan?
(translated by Joanne Bernardi)
- Satō Tadao
- The Principles and Applications of the
Moving Pictures (Excerpts)
(translated by Aaron Gerow)
- Gonda Yasunosuke
- The Process of Theory: Reading Gonda
Yasunosuke and Early Film Theory
- Aaron Gerow
- A Theory of the Animated Sound Film
(translated by Michael Baskett)
- Imamura Taihei
- A Theory of Film Documentary
(translated by Michael Baskett)
- Imamura Taihei
- Approaching Imamura Taihei: Film Theory
and Originality
(translated by Phil Kaffen)
- Irie Yoshirō
- Film Theory and the Crisis in
Contemporary Aesthetics
(translated by Phil Kaffen)
- Nakai Masakazu
- An Assault on “Meaning”: On Nakai
Masakazu’s Concept of “Mediation”
(translated by Alex Zahlten)
- Kitada Akihiro
- My Theory of Film: A Logic of Self-Negation
(translated by Patrick Noonan)
- Yoshida Kijū
- The Alterity of Cinema: Subjectivity,
Self-Negation, and Self-Realization in
Yoshida Kijū’s Film Criticism
- Patrick Noonan
- An Impaired Eye: Hasumi Shigehiko on
Cinema and Stupidity
- Ryan Cook
- Ozu, or On the Gesture
(translated by Kendall Heitzman)
- Nakamura Hideyuki
- Fiction:
- Asakusa Park: A Certain Film Script
(translated by Kyoko Selden)
- Akutagawa Ryūnosuke
- On the Contributors
